Canon Cinema Range, proven on a McLaren 720S.
Filmmaker Aziz Jacobs put Canon's cinema lineup through a real-world automotive shoot. Explore the same cameras and cinema glass used on the McLaren 720S.
From first gigs to cinema work. Shot on Canon.
Aziz's journey started on a Canon 5D Mark IV in 2019 and now includes dual C70 bodies and a full Canon kit. Here he tests the Canon C50 and Canon C400 on-location in harsh heat, rolling shots, and fast-moving production conditions.
Three flagship cinema bodies
Start with the core cameras highlighted in the video and supporting footage.
More Canon cinematic gear
Explore the complete Canon cinema range from entry-level cinema bodies to flagship production cameras.
Gear built for real production pressure
The same strengths Aziz highlighted in his hands-on review, from modular rigging to high-end internal recording.
- Modular form factor: The C50 transitions quickly from handheld and top-handle use to gimbal-ready setups.
- Reliable in heat: Active cooling and practical body design support demanding outdoor shoots.
- Pro connectivity: Full-size HDMI, USB-C, and XLR top-handle inputs simplify monitor and audio workflows.
- 6K RAW internal: Capture high dynamic range internally to CFexpress for flexible post-production.
- Dual media flexibility: CFexpress as primary with SD support for proxies and backup workflows.
- Cinema glass performance: Tested with Canon cinema primes (24, 85, 135) for automotive rolling shots and detail work.
Ready to shoot cinematic automotive content? Shop the Canon cinema range used for the McLaren 720S shoot.
Shot gallery
A selection of frames captured with the Canon cinema range.
